8:30 – 10:30 am
“Pirated” Indigeneity? Perspectives on a Discourse of Music Ownership, Use, and Entitlement
Chair: Nolan M. Warden, University of California, Los Angeles
*Sponsored by the Indigenous Music Section
8:30 “Returning” Recorded Music from Archives to Local Movements for Ainu Cultural Revival
Nate Renner, University of Toronto
9:00 All Our Music Comes from Outsiders: The Influence of New Ideas of Music Owners hip on Suyá/Kïsêdjê Musical Life
Anthony Seeger, University of California, Los Angeles
9:30 A Counterfeit More Original than the Original, or, the Case of the Wixárika (Huichol) Grammy Nominee Who Pirated Himself
Nolan M. Warden, University of California, Los Angeles
10:00 “Pirating the Pachamama (Earth Mother)”: Mimes is, Remix and Distortion in the Bolivian Andes
Henry Stobart, Royal Holloway, University of London
10:45 am – 12:15 pm
Musical Instruments, Material Cultures, and Sound Ecologies
Chair: Lars Koch, Berlin Phonogram Archive, Ethnological Museum of Berlin / University of Cologne
10:45 Bulgarian Acoustemological Tales: Narrativity, Agrarian Ecology, and the Kaval’s Voice
Donna A. Buchanan, University of Illinois at Urbana-Champaign
11:15 Ukulele Materialities
Kati Szego, Memorial University of Newfoundland
11:45 Making Andean Music: Craftsmanship, Sound Ecology, and Social Life in a Peruvian Instrument Workshop
Joshua Tucker, Brown University
